The art of movement
Cecilia Lamptey-Botchway's body of work titled 'Make We Dance' which means 'Let Us Dance' explores the idea of dance as a form of movement. It shows various figures striking poses, swirling, and dancing.
Make we dance also explores movement as a way of expression.
Dance and expression
To Cecilia, dance can be used as a way of expressing oneself in happy times and in bad times; in crucial times and in playful moments. For each piece of work in the exhibition, Cecilia communicates the unsaid actions and emotions of her figures through their movements.
Mopping wool and paint on canvas
Cecilia uses mopping wool and paint to achieve these beautiful art pieces. When the artist started using mopping wool, it was because she made a connection among the cleaning object, domesticity, and female-based chores.
Cecilia's background in textile making
The elements in these paintings bring together the artist's different artistic strands. Trained at the Yaba College of Technology School of Art, Design and Printing in Lagos- Nigeria, the flowery background gestures towards the abstraction of Lamptey Botchway's textile practice
I move therefore I am
" This is a movement of dance that challenges the government's decision on bad roads that lead to flooding and wastage. This dance in a form of ritual challenges that, and seeks another alternative to resolve the situation." -Cecilia Lamptey-Botchway
Movement of the soul and body
“The soul is the 'driver' in the body. With this painting, I want my viewers to see how the presence of the soul makes the physical body alive." - Cecilia Lamptey-Botchway
Efua's movement of gravity
"This painting invites the viewer to see how dance, as movement, is also a force of gravity." - Cecilia Lamptey-Botchway
Cecilia also speaks to the growing involvement of women in society, and the importance of women and men working together for the good of society.
Make We Dance (2022) by Nubuke FoundationOriginal Source: Nubuke Foundation
Photos: Ernest Kweku Edufo
Project manager: Kwabena Agyare Yeboah
Research, Text & Curatorial Support: Jemima Adansi and Abiodun Ayoola