Nubuke Foundation

curated by Kwabena Agyare Yeboah

Theresah Ankomah: The Artist Whose Work Engulfed Nubuke Foundation

Discover Ghanaian artist transforming recycled materials into stunning installations

Read

A Walk-through Intimacy (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Theresah Ankomah

Theresah Ankomah lives and works in Accra, Ghana. She explores issues of identity, culture, and environment through her artistic expressions in the form of performative installations, sculpture, weaving, photography, basketry painting and printmaking.

A Walk-through Intimacy (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Ankomah's artistic journey

Ankomah's work transcends traditional art. Her artistic journey began at Kwame Nkrumah University of Science and Technology, where she refined her skills in painting and sculpture. Her art addresses contemporary issues, inviting viewers to reflect on their place in the world.

A Walk-through Intimacy (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Weaving Ghanaian heritage

Ankomah's exploration of weaving truly sets her apart. Her work uniquely reflects her Ghanaian heritage, incorporating traditional techniques and cultural symbols into contemporary interpretations. Her pieces transcend mere decoration, they are stories intricately woven with each design conveying narrative.

A Walk-through Intimacy (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Recycled art, new life

Her work integrates found objects and recycled materials, breathing new life into discarded items and transforming them into art. This approach showcases Ankomah's commitment to environmental sustainability and her belief in art's transformative power.

Memories of the present (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Nubuke's woven wonder

The Nubuke Foundation in Ghana has showcased Theresah Ankomah's captivating installations. One notable work transformed the gallery into an immersive environment, featuring intricate weavings cascading from the ceiling,  with colors and patterns creating a mesmerizing spectacle.

Memories of the present (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Memories of the Present (2020)

Theresah Ankomah installed her work on the cantilevered facades of Nubuke Foundation. The facades were covered with tapestries of circular kenaf forms. Over the installation period, the colours of the dyed baskets faded. 

Memories of the present (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Kenaf basket

At the Anloga Onion market in Kumasi, Ankomah found that kenaf baskets are used in the transportation of onions. The onions, together with the kenaf baskets, are imported mainly from Niger.

A Walk-through Intimacy (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Recycled baskets

After the onions are sold, the discarded kenaf baskets are collected by Theresa from the Anloga Onion market in Kumasi. This act begins a new chapter in their story.

Memories of the present (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

Connectivity

The pattern, art of weaving these kenaf baskets together and just how these woven reeds connect to hold onions, in more that one way reflects the network brought about by the trading of onions 

Memories of the present (2021) by Theresah AnkomahOriginal Source: Nubuke Foundation

The trade route

The trade of onions between Ghana and Niger falls between the trade route of the trans- Saharan trade, which contributed greatly to the trans - Saharan enslavement; the rise of Islam and the development of the Ajami language.

Ankomah's artwork transcends boundaries and unites cultures. Her works have been featured in several exhibitions in Ghana and abroad, receiving critical acclaim for their  originality, craftsmanship, and thought-provoking themes. She has received several awards.

Credits: Story

Photos: Nii Odzenma
Project manager: Kwabena Agyare Yeboah
Research, Text & Curatorial Support: Sandra Taylor, Jemima Adansi and Abiodun Ayoola

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.