TAE (Transformación, Arte y Educación A.C.)

Carlos Galindo Leal, María del Carmen Castro Becerra, Nahum Noriega

Malinalco: Guardians of Biocultural Heritage

Explore the biocultural heritage of this Mexican valley, where ancient traditions meet stunning landscapes and vibrant community life

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Malinalco centro (2021) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

Biocultural Heritage

The interaction between the richness of wild nature and the cultural wealth of human societies has given rise to landscapes that sustain us and shape our identity, memory, and heritage.

San Sebastián Malinalco (2021) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

The Valley of Malinalco

You are in the Valley of Malinalco, located in the upper basin of the Balsas River, in the southwestern region of the State of Mexico. Its ancient name, Texcaltepecticpac, comes from the Nahuatl words texcal (“place of stone”) and tepecticpac (“on top of the hill”).

Malinalli (2025) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

Malinalco and Tenochtitlan

A story of abandonment, vengeance, and foundation.
According to legend, Malinalxóchitl (the “Malinalli Flower”), sister of Huitzilopochtli, was abandoned on the way to Tenochtitlan because of her sorcerous habits.

Zona arqueológica Malinalco (2025) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

Malinalco and Tenochtitlan

She sought refuge and settled in Texcaltepec, where she married the Matlatzinca chieftain Chimalcuauhtli (“Eagle Shield”). Together, they had a son named Copilli, whose name means “conical headdress.”

Símbolo de Tenochtitlan (2025) by Carlos Alexander Galindo ZhidkovaTAE (Transformación, Arte y Educación A.C.)

Malinalco and Tenochtitlan

When Copilli grew up, he sought to avenge his mother and went to Tepetzinco (today Peñón de los Baños) to confront his uncle Huitzilopochtli, who defeated him and threw his heart into the lake. From it grew the nopal where the Mexica saw the eagle, symbol of Tenochtitlan.

Selva Baja Chichicasco (2022) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

Nature and Culture: An Indivisible Entity

The diversity of mountains and valleys, together with the pronounced rainy and dry seasons, determine the richness of the region’s pine and oak forests and its tropical dry forests.

Frescos del excovento Agustino (2016) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

Nature and Culture: An Indivisible Entity

This natural wealth has been used since ancient times, as evidenced by caves, rock paintings, archaeological sites from various cultures, and colonial chapels and convents.

Altar nuevos muertos (2024) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

Nature and Culture: An Indivisible Entity

That relationship continues today in the community’s activities—celebrations, markets, and home gardens.

Zona arqueológica Malinalco (2021) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

The Modified Landscape

Landscapes reflect culture.
The valley’s earliest settlers began selecting and transforming special places such as springs, caves, hunting and gathering forests, and scenic overlooks.

Apantle zona arqueológica Malinalco (2021) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

The Modified Landscape

They established trails and roads, terraces with maize fields bordered by maguey plants and irrigated by apantles—channels that guided the water. The ancient mountain route connecting the Tenancingo Valley with the heart of Malinalco was strategic for trade and pilgrimages.

Paisaje celeste (2022) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

The Celestial Landscape

The movements of the Sun, Moon, planets, and constellations were used to measure the passage of time. Ancient cultures observed the rising and setting of the Sun over the mountains as a kind of horizon calendar.

Paisaje celeste 2 (2021) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

The Celestial Landscape

From the Temple of the Sun, or Tonatiuhcalli, one can observe the mark of the beginning of the Mexica year on February 12, when the Sun rises behind an abrupt notch in the Sierra de Ocuilan.

Los locos (2024) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

The Reincarnation of Celebrations

Over time, new festivities were superimposed on ancient dates that once marked events essential for survival, such as seasonal food cycles. This has obscured their original meaning, distancing us from nature’s rhythms.

Abuela (2024) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

The Reincarnation of Celebrations

The major celebrations of Holy Week, linked to the Moon’s behavior, were originally related to the barley and wheat harvests in the Middle East. In Mexico, they coincide with the traditional prayers for rain at the start of the rainy season.

Arados (2022) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

An Annual Cycle of Festivities

The annual cycle of rains and droughts determines the productive cycle of agricultural societies and is accompanied by ancient celebrations that have merged with the Catholic faith.

In Malinalco, there are two main seasons: the dry season (Tonalco) and the rainy season (Xopan).

Tonalco y Xopan, Laura Rojas Paredes, 2025, From the collection of: TAE (Transformación, Arte y Educación A.C.)
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Chalma, a Millenary Religious Center

In ancient times, the peoples of this region worshiped Tezcatlipoca as Oztoteotl, Lord of the Caves. The surrounding mountains, caves, springs, and ancient cypress trees held deep symbolic meaning for ancient cultures. Pilgrims came to offer prayers for rain and good harvests.

Conchero - Chalma (2018) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

Chalma, a Millenary Religious Center

In 1573, Augustinian friars replaced the original cult with the worship of Jesus Christ as the Lord of Chalma. The famous ancient ahuehuete tree of Chalma has witnessed generations of pilgrims passing by.

Frescos del excovento Agustino 2 (2025) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

Biocultural Heritage

From our hunter-gatherer origins to the present day, we have woven a complex network of relationships between nature and culture. This interaction has produced the landscapes that sustain us and define our identity, memory, and heritage.

Abuelos Torres (2020) by Zabdiel PeraltaTAE (Transformación, Arte y Educación A.C.)

You Are a Guardian of Biocultural Heritage

Observe the plants and animals, the mountains and streams, and the archaeological sites. Contemplate the diverse landscape, the maize fields, and home gardens. Visit the local markets, chapels, and convents. Learn from the living traditions and memories of the community.

Mural guerrero Malinalco (2025) by Carlos Alexander Galindo ZhidkovaTAE (Transformación, Arte y Educación A.C.)

The Natural and Cultural Richness of Malinalco Is Unique

Observe its wildlife, mountains, and rivers; its archaeological remains, fields, and gardens. Explore its markets, chapels, and convents. Discover its traditions and collective memories. Value, protect, and enjoy this union of nature and culture—your heritage.

Símbolo de Malinalco, Carlos Alexander Galindo Zhidkova, 2025, From the collection of: TAE (Transformación, Arte y Educación A.C.)
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Credits: Story


Research and Content:
Carlos Galindo Leal, María del Carmen Castro Becerra, Nahum Noriega

Photography: Zabdiel Peralta
Illustration: Carlos Alexander Galindo Zhidkova
Design: Laura Rojas Paredes
Production: Iván Montes de Oca Cacheux

National Coordination for the Conservation of Cultural Heritage, INAH
INAH Center State of Mexico


This exhibition is based on the collaborative work (INAH - CONABIO) carried out for the development of the interpretive trail to the Cuauhcalli at the Malinalco archaeological site in the State of Mexico.

Transformación, Arte y Educación A.C.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.