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Cerith Wyn Evans

Cerith Wyn Evans. "....the Illuminating Gas"

Curated by Roberta Tenconi and Vicente Todolí

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StarStarStar/Steer (totransversephoton) (2019) by Cerith Wyn EvansPirelli HangarBicocca

"....the Illuminating Gas"

Conceived as a harmonious composition of light, energy, and sound, “….the Illuminating Gas” is the largest-ever solo exhibition by Cerith Wyn Evans (Llanelli, Wales, UK, 1958; lives and works in London) and it presents a selection of twenty-four works—earlier sculptures, complex monumental installations, and new productions—offering visitors a unique synesthetic experience.

StarStarStar/Steer (totransversephoton) (2019) by Cerith Wyn EvansPirelli HangarBicocca

“….the Illuminating Gas” (2019) by Cerith Wyn EvansPirelli HangarBicocca

As of the 1990s, the artist abandoned film altogether, and concentrated on creating sculptures, installations, photographs, and site-specific or performative interventions, which are characterized by the use of ephemeral elements such as light and sound, as well as by the centrality of the temporal dimension in the experience of a work. 

Composition for 37 Flutes (in two parts) (2018) by Cerith Wyn EvansPirelli HangarBicocca

Cerith Wyn Evans’s research focuses on language and perception, on the potential of the word and the communication, questioning our very notion of reality.

“….the Illuminating Gas” (2019) by Cerith Wyn EvansPirelli HangarBicocca

In their elegance and formal balance, his works draw on a complex body of references and quotations—from literature, music, philosophy, photography, poetry, art history, astronomy and science—that are declined into new forms through an articulate process of transformation. 

“….the Illuminating Gas” (2019) by Cerith Wyn EvansPirelli HangarBicocca

Radiant Fold (…the Illuminating Gas) (2017-2018) by Cerith Wyn EvansPirelli HangarBicocca

“….the Illuminating Gas” (2019) by Cerith Wyn EvansPirelli HangarBicocca

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Neon Forms (After Noh) (2015-2019) by Cerith Wyn EvansPirelli HangarBicocca

This operation takes place both through the use of textual materials that are decontextualized and translated into a language of light—for example, in the form of neon signs, fireworks or light pulses—and transposing into sculptures the imagery of earlier artists—such as Marcel Duchamp—or the movements of actors in Japanese Noh theatre, as in the series "Neon Forms (after Noh)" (2015-2019).

Neon Forms (After Noh XIII) (2018) by Cerith Wyn EvansPirelli HangarBicocca

Neon Forms (After Noh) (2015-2019) by Cerith Wyn EvansPirelli HangarBicocca

“….the Illuminating Gas” (2019) by Cerith Wyn EvansPirelli HangarBicocca

The exhibition includes a new configuration of "Forms in Space…by Light (in Time)" (2017), a work originally conceived for the Duveen Galleries of the Tate Britain in London, and "StarStarStar/Steer (totransversephoton)" (2019), made specifically for the occasion, opening the show and creating a choreography of lights and shadows that intermittently invades the space.

“….the Illuminating Gas” (2019) by Cerith Wyn EvansPirelli HangarBicocca

“….the Illuminating Gas” (2019) by Cerith Wyn EvansPirelli HangarBicocca

“….the Illuminating Gas” (2019) by Cerith Wyn EvansPirelli HangarBicocca

Internationally renowned institutions that have presented solo exhibitions by Cerith Wyn Evans include: Museo Tamayo, Mexico City (2018); Duveen Galleries, Tate Britain, London, Museum Haus Konstruktiv, Zurich (2017); Museion, Bolzano (2015); Serpentine Sackler Gallery, London (2014); Thyssen-Bornemisza Art Contemporary, Vienna (2013); Schinkel Pavilion, Berlin (2012); Wiener Staatsoper, Vienna, Kunsthall Bergen (2011); MUSAC, León (2008); Kunsthaus Gratz (2007); ICA – Institute of Contemporary Arts, London, ARC/Musée d’Art Moderne de la Ville de Paris (2006); MIT Visual Arts Centre, Boston (2004); Centre for Contemporary Art, Kitakyushu, Japan (1998).

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Still life (In course of arrangement...) (2019) by Cerith Wyn EvansPirelli HangarBicocca

His works have also been included in important collective exhibitions, including: 14th Lyon Biennale, Skulptur Projekte, Münster, 57th Venice Biennale (2017); 4th Moscow Biennial (2011); Aichi Triennale, Nagoya, 12th Venice Architecture Biennale (2010); 9th Istanbul Biennial (2005); Documenta 11, Kassel (2002).In 2003 Cerith Wyn Evans represented Wales at the Venice Biennale, and participated in “Utopia Station.” He was awarded the Hepworth Prize for Sculpture in 2018.

C=O=N=S=T=E=L=L=A=T=I=O=N (I call your image to mind) (2010) by Cerith Wyn EvansPirelli HangarBicocca

S=U=T=R=A (2017) by Cerith Wyn EvansPirelli HangarBicocca

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