Vernacular furniture form an important aspect of material culture of communities in a region. These items are objects of reminiscence of people who used them, occasions that were celebrated, or events that shaped lives. This exhibit presents few vernacular furniture from the north-west India that are containers of such memories of people.

A display of items in a collectionDesign Innovation and Craft Resource Centre, CEPT University

Vernacular furniture has strong associations with people or communities who make and use them. These pieces carry varied cultural narratives, myriad memories and personal anecdotes, each telling a story. They become a window to history and are treasured heirlooms for individuals and families.

Sandook (Chest)Design Innovation and Craft Resource Centre, CEPT University

On field, while interacting with the owners of the furniture, they shared how a piece of furniture sometimes triggers a specific memory for them. It gives a sense of belonging to a few, while others hold onto the memories of people. For some, it becomes a means of letting go or healing a loss in their lives.

A display of items in a collectionDesign Innovation and Craft Resource Centre, CEPT University

A sense of belonging: memories of migration

During the time of partition of India and Pakistan, many people had to migrate from their own homes to other places. Only a few could carry all the furniture they possessed and a lot of it was left behind unattended or with friends. These pieces of furniture provides the users a sense of belonging, bringing back memories from the partition and migration.

Manja (Charpoy)Design Innovation and Craft Resource Centre, CEPT University

This manja along with other furniture, livestock and mattresses was left behind by a muslim family from Arniwala Pind during the partition. Many of such furniture bring back the memory of migration where people left their furniture in hope of returning back someday, but could never come back.

Palang (Charpoy)Design Innovation and Craft Resource Centre, CEPT University

This manja originally belonged to a Muslim family living in Bigad Village. During the partition, their family couldn’t carry this manja with them due its weight. They gave this manja to Manga Ram's family. This manja reminds Devi Lal (son of Manga Ram) of his father's friendship from pre-partition days.

Sandook (Cabinet)Design Innovation and Craft Resource Centre, CEPT University

A few families staying near the border regions of Punjab chose to carry furniture with them during migration and war-like situations. They held to furniture as it gave them a sense of belonging among all the uncertainty during such times.

Sandook (Cabinet)Design Innovation and Craft Resource Centre, CEPT University

While shifting this sandook during a war-like situation, its leg broke. This leg was later replaced by a new log of wood, which is now a reminder of the frequent migrations and shifting the people did during those uncertain times.

A door of a mud granaryDesign Innovation and Craft Resource Centre, CEPT University

Due the heavy weight of the furniture, many could not carry the entire piece of furniture with them while migrating. One family carried these doors of a larder with them as a memory of their old house. This was originally located in Kamaiya pind in Lahore district, Pakistan.

Sandook (Cabinet)Design Innovation and Craft Resource Centre, CEPT University

Death and loss: holding on to memories

Often vernacular furniture is seen in urban homes as reminiscent of certain memories. People have emotional connect with furniture, as a reminder of certain individuals or events. This family had recently renovated their house, but kept this fairly large  sandook in the living area because it reminded them of their mother.

Sandook (Cabinet)Design Innovation and Craft Resource Centre, CEPT University

This sandook was preserved by Gurjant singh, an 80 year old man, in memory of his wife Gurdev Kaur. He shared that whenever he saw the sandook, it reminded him of her. In her memory, the family has kept the sandook in the store room.

Manja(Charpoy)Design Innovation and Craft Resource Centre, CEPT University

There are many instances where organisations and individuals display curated collection of furniture pieces in in memory of an individual.

In Punjab, the ancestral house of Shaheed Bhagat Singh has been conserved and converted into a house museum in his memory.

Paata (Bench)Design Innovation and Craft Resource Centre, CEPT University

Death and loss: preserving memories

At times, vernacular furniture is also deeply associated with life and death of individuals. People commission furniture in memory of their loved ones. It becomes a means of preserving the memories of their loved ones.

Paata (Bench)Design Innovation and Craft Resource Centre, CEPT University

This paata was kept outside a haveli in the Sunaro ki Guwad in Bikaner city. This was commissioned in the memory of the haveli's owner after his death. This was being used by the family and people of the community.

Paata (Bench)Design Innovation and Craft Resource Centre, CEPT University

"In the memory of Late Shri Jaganthji Sunar, by his wife in the month of Jyestha Sud year 2059 of the hindu calendar” was seen inscribed on a metal plate on the centre of the front rail.

Dholio (Charpoy) Dholio (Charpoy)Design Innovation and Craft Resource Centre, CEPT University

Death and loss: letting go

Sometimes the vernacular furniture used by an individual is donated after their death. In Gujarat, a type of charpoy called dholio is donated to someone in need after the death of the person who used it, along with their personal belongings.

Dholni (Charpoy)Design Innovation and Craft Resource Centre, CEPT University

It is common for a man to have used a single dholio throughout his life; in such cases at the time of death, he is carried to his cremation on his dholio. In a few instances, the dholio is also burnt with the deceased as an act of letting go.

Sandook (Chest)Design Innovation and Craft Resource Centre, CEPT University

These pieces of furniture become a container of memories, holding a special place in the life of individuals and families. Each piece is reminiscent of memories of people or events for them.

Credits: Story

The research on this story was conducted as part of the Vernacular Furniture of North-West India project, a collaborative research project conducted between 2015 - 2021 by the Design Innovation and Craft Research Centre (DICRC), CEPT University, Ahmedabad, and the South Asian Decorative Arts and Crafts Collection Trust (SADACC), Norwich, UK.

The research on the vernacular furniture of Rajasthan and Punjab is presented in the following publications:
1. Sahaj: Vernacular Furniture of Gujarat, co-authored by Mitraja Bais, Jay Thakkar, Samrudha Dixit and Ben Cartwright
2. Catalogue of Vernacular Furniture: Gujarat, co-authored by Mitraja Bais, Jay Thakkar, Samrudha Dixit, Ben Cartwright and Mansi S Rao.
3. Anaikya: Vernacular Furniture of Rajasthan, co-authored by Mansi S Rao, Samrudha Dixit and Ben Cartwright
4. Catalogue of Vernacular Furniture: Rajasthan, co-authored by Mansi S Rao, Samrudha Dixit and Ben Cartwright
5. Catalogue of Vernacular Furniture: Punjab, co-authored by Rishav Jain, Mansi S Rao, Ben Cartwright and Abhishek Ruikar

This story has been compiled by Rishav Jain.

For more information on the Vernacular Furniture of India, please visit: www.vernacularfurnitureofindia.com

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.